![]() I was never without the buzz of Miles musdic in my head, not even now at age 70 sitting here in my office in Lusaska, Zambia…along wzu from home in Cincinnati. I learned to play along in my trombone, so much that I think it made my uncl jeaslous beecause it seemed Like I had a new idol who replaced my uncle named Miles Dewey Davis. I told my uncle and he whipped out the Kind of Blue album. So, jazz was all over our house at 415 York Street in the West End by the time I was 12 years old and heard Mile’s Freddie the Freeloader on the juke box at Big Louie’s where my mother worked at the corner of Bar and Cutter Streets. Turned out my uncle also had contacts to guys who sold “reefer”. They came to our house from Philly, Baltimore, louisville, Cleveland, Detroit, Pittsburgh and other places. Youre signed in About the streaming player: Songs play if you keep the player window open. It’s difficult to express the importance of Davis’ influence to the world of jazz, with a career spanning over five decades over which time he introduced many. He was magnetic because all of the cool guys who played jazz knew my uncle. Prominent Canadian trumpeter Jay Phelps performs Miles Davis’ beloved Kind Of Blue in its entirety live with an all-star quintet of outstanding London talent. He was an electrical engineer…rare for an African Americam from Selma, Alabama living in Cincinnati, working at Westinghouse. My uncle Billy, an unusual war veteran. “To me,” says Cobb, the gig was “just another Miles Davis session,” with an Evans twist.Īs a youngster in the 50s i celebrated 10years old in 1959. Drummer Jimmy Cobb talks in the clip at the top about how Davis “fell a little bit into concept” of Bill Evans, the pianist who played a significant role in the music’s construction. Beloved in the jazz world right away, it was the “vox populi” that spread the album’s fame everywhere else. People would not let it go out of print.”ĭavis knew how to get his work before the public, but he also knew it deserved to be heard by millions both inside and outside jazz. 4.1 / 5 (19 x) Rate this tab: Add to favs. “The thing about this album,” says Kahn, “that’s different from what happened with some other well-celebrated albums… is that it became an iconic album not when it came out but long after because people kept buying it. Sales are neither necessary nor sufficient to make a classic album, but in the case of Kind of Blue, all of the stars aligned: critics universally praise it, musicians universally love it, and record buyers universally buy it. “Its icy hauteur sets the standard for art that draws you in by pretending it doesn’t need anyone or anything but itself.” It’s quite a confident appeal. The cool had matured in Kind of Blue’s fully modal turn. “first heard this music in diners and bars over the jukebox.” The creative tensions in the Birth of the Cool recordings, made ten years earlier, announced a new kind of jazz with their full release in 1957. Columbia responded, and as a result, many people around the U.S.
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